Across the great divide how to#

The mountains here assumed a formidable aspect, and the stream was too narrow, rapid, and rock-bound to admit of navigation. As Captain Lewis was the first white man who had seen these waters, Clark gave to the combined water-course the name of Lewis' River. On the twenty-first, Clark passed the junction of two streams, the Salmon and the Lemhi, which is now the site of Salmon City, Idaho. They even urged the white men to stay with them until another spring, when Indian guides would be furnished them to proceed on their journey westward. The Indian chief and his old men dwelt on the obstacles in the way and argued that it was too late in the season to make the attempt.

Across the great divide how to#

How to transport the canoes and baggage over the mountains to some navigable stream leading into the Columbia was now the serious problem. The party was very ceremoniously received by Chief Cameahwait, and all hands began to explain to the white men the difficulties of the situation. The Indian village which Captain Lewis had previously visited had been removed two miles up the stream on which it was situated, and was reached by Clark on August 20. Captain Clark had now left the water-shed of the Missouri behind him, and was pressing on, over a broken, hilly country, to the lands from which issue the tributaries of the Columbia. At the Guild and Embassy Theaters.Zachariah Coop.

Dubs music by Gene Kauer and Douglas Lackey released by Pacific International Enterprises. The CastACROSS THE GREAT DIVIDE written and directed by Stewart Raffill produced by Arthur R. And they all blend well with the spectacular Utah and British Columbia landscapes in which 'Great Divide' was shot. Robert Logan (one of the leads in 'Wilderness Family') is properly stalwart as their knowledgeable protector.

Heather Rattray and Mark Hall, can be overlooked, they emerge as natural and attractive kids. If some oddly Dickensian dialogue by a pair of newcomers. But there's always that grizzly and the cougars who deprive them of their horses, as well as a snarling wolf pack to threaten them, and a band of dissolute, if comic, frontiersmen to keep them and the film moving at a fast clip.The Indians, led by George (Buck) Flower, are decent, family types who appreciate their help in driving off that man-eating grizzly. If the youngsters are slow to accept his blarney, they grudgingly do come to trust him.

Our handsome gambler and our wandering pre-teen-agers are always on the run. But the Pacific Northwest and its fauna are still eye-fillingly photogenic and the principals are cheerful and endearing, if amazingly indomitable.A cynic might question this fiction about a youthful, self-reliant, orphaned sister and brother adrift in the forested high country in 1876, who, with the aid of a resourceful young con-man gambler, finally make it to the lush Oregon acres they've inherited.But action, a touch of humor and nonmarauding Indians give the proceedings a fair portion of realism. Only an urban misogynist would sneer at the idea that once again the focus is on naïve pioneers, the wilderness and such predators as a grizzly and cougars. And it's safe to say that their new holiday treat is as harmless, say, as that second candy cane, and it should charm the youngsters and even some indulgent grown-ups.If moviegoers with retentive memories detect similarities between 'Wilderness Family' and 'Great Divide' it is hardly important. Dubs, the producer of last year's Christmas bauble, 'Adventures of the Wilderness Family,' are not the ones to let a simple, profitable formula lie.Like kids ever ready to have a go at a second candy cane, they've tackled another innocents-versus-the-wilds confection in 'Across the Great Divide,' which arrived yesterday at the Guild and Embassy Theaters. Stewart Raffill, the writer-director, and Arthur R.